Nominal Forms
Infinitive: to trope
Participle: troped
Gerund: troping
Cognates
-
Indicative
Present
| I | trope |
| you | trope |
| he;she;it | tropes |
| we | trope |
| you | trope |
| they | trope |
Perfect
| I | have troped |
| you | have troped |
| he;she;it | has troped |
| we | have troped |
| you | have troped |
| they | have troped |
Past
| I | troped |
| you | troped |
| he;she;it | troped |
| we | troped |
| you | troped |
| they | troped |
Pluperfect
| I | had troped |
| you | had troped |
| he;she;it | had troped |
| we | had troped |
| you | had troped |
| they | had troped |
Future
| I | will trope |
| you | will trope |
| he;she;it | will trope |
| we | will trope |
| you | will trope |
| they | will trope |
Future Perfect
| I | will have troped |
| you | will have troped |
| he;she;it | will have troped |
| we | will have troped |
| you | will have troped |
| they | will have troped |
Subjunctive
Present
| I | trope |
| you | trope |
| he;she;it | trope |
| we | trope |
| you | trope |
| they | trope |
Perfect
| I | have troped |
| you | have troped |
| he;she;it | have troped |
| we | have troped |
| you | have troped |
| they | have troped |
Imperfect
| I | troped |
| you | troped |
| he;she;it | troped |
| we | troped |
| you | troped |
| they | troped |
Pluperfect
| I | had troped |
| you | had troped |
| he;she;it | had troped |
| we | had troped |
| you | had troped |
| they | had troped |
Conditional
Present
| I | would trope |
| you | would trope |
| he;she;it | would trope |
| we | would trope |
| you | would trope |
| they | would trope |
Perfect
| I | would have troped |
| you | would have troped |
| he;she;it | would have troped |
| we | would have troped |
| you | would have troped |
| they | would have troped |
Imperative
| you | trope |
| we | Let's trope |
| you | trope |
Verbs conjugated like 'trope'
abacinate,
abalienate,
abase,
abate,
abbreviate,
abdicate,
abduce,
aberrate,
aberuncate,
abirritate,
abjudge,
abjudicate,
abjugate,
abjure,
ablactate,
ablaqueate,
able,
ablegate,
abligate,
abnegate, etc. (List truncated at 20 verbs)
Verbs similar to 'trope'
grope,
rope,
tope,
trape,
troke,
troupe,
atroke,
brode,
broke,
chope,
Synonyms & Antonyms
Additional Information
Phrasal Verbs
Etymology
From Latin tropus, from Ancient Greek τρόπος (trópos, “a manner, style, turn, way; a trope or figure of speech; a mode in music; a mode or mood in logic”), related to τροπή (tropḗ, “solstice; trope; turn”) and τρέπειν (trépein, “to turn”); compare turn of phrase. The verb is derived from the noun.
Verbs referencing "trope"
French
trouver.
Sample Sentences
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The motive for troping the introit was twofold. Firstly there was the desire to add colour, mystical fervour, to the restrained, matter-of-fact Roman rite. Besides this psychological reason there was a practical one. The introit was sung by the choir while the celebrants proceeded towards the altar to officiate at mass. This part of the ritual lent itself very readily to embellishment and expansion. [1926, J[ames] M[idgley] Clark, “The Drama”, in The Abbey of St Gall as a Centre of Literature & Art, Cambridge: At the University Press, →ISBN, page 206:]
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The specific outcome of that 'story-telling' largely derives from how managers 'figure' their world – how they trope or 'figuratively turn' meanings. So, management decision(s) making is about figurative synthesis – troping literal meaning – as much as it might be analysis. [2015, Alun Munslow, “Managing the Past”, in Patricia Genoe McLaren, Albert J. Mills, Terrance G. Weatherbee, editors, The Routledge Companion to Management and Organizational History (Routledge Companions in Business, Management and Accounting), Abingdon, Oxon.; New York, N.Y.: Routledge, →ISBN, page 133:]
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"So clomb this first grand Thief into God's Fold" (4.192), [John] Milton writes, thus troping Satan's transgression as neither deception, seduction, nor disobedience, though he presents it in those terms elsewhere, but rather as robbery. [1999, Heather Dubrow, “'A Doubtfull Sense of Things': Thievery in The Faerie Queene 6.10 and 6.11”, in Patrick Cheney, Lauren Silberman, editors, Worldmaking Spenser: Explorations in the Early Modern Age (Studies in the English Renaissance), Lexington, Ky.: University Press of Kentucky, →ISBN, page 204:]
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It suggests that the "masculine" (or exaggeratedly masculine) style of Death in the Afternoon [by Ernest Hemingway] is not a formal or immanent attribute of the text but must be "engendered" through acts of interpretation. And it suggests that what was at stake in this "engendering" was nothing less than the preservation of powerful forms of authentic masculinity in the face of a work that, puzzlingly, seemed to trope the very notions of masculinity and modernism. [2002, Thomas Strychacz, “'The Sort of Thing You Should Not Admit': Ernest Hemingway's Aesthetic of Emotional Restraint”, in Milette Shamir, Jennifer Travis, editors, Boy's Don't Cry?: Rethinking Narratives of Masculinity and Emotion in the U.S., New York, N.Y.: Columbia University Press, →ISBN, page 151:]
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I troped the World Wide Web as an especially dangerous research venue. "Don't pick up anything unless you know where it has been," I said. [2009, Julie Clark Simon, “Voiceprinting: How Its Failures Speak”, in Emily Golson, Toni Glover, editors, Negotiating a Meta-pedagogy: Learning from Other Disciplines, Newcastle upon Tyne, Tyne and Wear: Cambridge Scholars Publishing, →ISBN, page 50:]
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By acting in loco parentis, the written word performs its own usurpations of generating authority and generated meanings. Therefore, after the brothers demolish the authority of the word as written, they ar able to substitute alternative authorities: the word as spoken, the word as added, the word as troped, the word as altered, the word as hidden. [1988, Deborah Baker Wyrick, “Investitures: Swift and Verbal Authority”, in Jonathan Swift and the Vested Word, Chapel Hill, N.C.; London: University of North Carolina Press, →ISBN, pages 39–40:]