montage – English verb conjugation

English verb forms of montage

Nominal Forms

Infinitive: to montage
Participle: montaged
Gerund: montaging

Cognates

-

Indicative

Present

Imontage
youmontage
he;she;itmontages
wemontage
youmontage
theymontage

Perfect

Ihave montaged
youhave montaged
he;she;ithas montaged
wehave montaged
youhave montaged
theyhave montaged

Past

Imontaged
youmontaged
he;she;itmontaged
wemontaged
youmontaged
theymontaged

Pluperfect

Ihad montaged
youhad montaged
he;she;ithad montaged
wehad montaged
youhad montaged
theyhad montaged

Future

Iwill montage
youwill montage
he;she;itwill montage
wewill montage
youwill montage
theywill montage

Future Perfect

Iwill have montaged
youwill have montaged
he;she;itwill have montaged
wewill have montaged
youwill have montaged
theywill have montaged

Subjunctive

Present

Imontage
youmontage
he;she;itmontage
wemontage
youmontage
theymontage

Perfect

Ihave montaged
youhave montaged
he;she;ithave montaged
wehave montaged
youhave montaged
theyhave montaged

Imperfect

Imontaged
youmontaged
he;she;itmontaged
wemontaged
youmontaged
theymontaged

Pluperfect

Ihad montaged
youhad montaged
he;she;ithad montaged
wehad montaged
youhad montaged
theyhad montaged

Conditional

Present

Iwould montage
youwould montage
he;she;itwould montage
wewould montage
youwould montage
theywould montage

Perfect

Iwould have montaged
youwould have montaged
he;she;itwould have montaged
wewould have montaged
youwould have montaged
theywould have montaged

Imperative

youmontage
weLet's montage
youmontage

Progressive (Continuous) Forms

Indicative

Present

Iam montaging
youare montaging
he;she;itis montaging
weare montaging
youare montaging
theyare montaging

Perfect

Ihave been montaging
youhave been montaging
he;she;ithas been montaging
wehave been montaging
youhave been montaging
theyhave been montaging

Past

Iwas montaging
youwere montaging
he;she;itwas montaging
wewere montaging
youwere montaging
theywere montaging

Pluperfect

Ihad been montaging
youhad been montaging
he;she;ithad been montaging
wehad been montaging
youhad been montaging
theyhad been montaging

Future

Iwill be montaging
youwill be montaging
he;she;itwill be montaging
wewill be montaging
youwill be montaging
theywill be montaging

Future Perfect

Iwill have been montaging
youwill have been montaging
he;she;itwill have been montaging
wewill have been montaging
youwill have been montaging
theywill have been montaging

Conditional

Present

Iwould be montaging
youwould be montaging
he;she;itwould be montaging
wewould be montaging
youwould be montaging
theywould be montaging

Perfect

Iwould have been montaging
youwould have been montaging
he;she;itwould have been montaging
wewould have been montaging
youwould have been montaging
theywould have been montaging

Other

Synonyms & Antonyms

Additional Information

Phrasal Verbs

Etymology

1. , La matière denaturalisée. Destruction 2. (Denatured Matter. Destruction 2.; c. 1923), from the collection of the Fries Museum in Leeuwarden, Friesland, Netherlands. The work is a collage, a type of montage.]]
2. Unadapted borrowing from French montage (“assembly, set-up”).

Sample Sentences

  • The Keartons and our staff had out-montaged [Vsevolod] Pudovkin. The result viewed to-day may be somewhat out of date—though I'm not sure—but of one thing I am certain—that it is as fine an example as I know of a maximum effect of cinematic movement achieved by patience in editing. [1936, Adrian Brunel, Film Production, London: George Newnes, →OCLC, page 17:]
  • The two background photographs shown in Fig. 2 were selected from the office files of Blakeslee-Lane Studios and then montaged together by copying onto a negative. [1941, Keith Henney, editor, Photo Technique, volume III, New York, N.Y.: McGraw-Hill Education, →OCLC, page 14:]
  • Active in the field of environmental art since the 1960s, Nils-Udo builds structures, elaborates on the landscape in a scale that fits, montaging natural materials on site. [2004, John K. Grande, “Nature Vision: Nils-Udo”, in Art Nature Dialogues: Interviews with Environmental Artists, Albany, N.Y.: State University of New York Press, →ISBN, page 95:]
  • Being ‘talking pictures’, [Mikhail] Romm’s and in particular [Fridrikh] Ermler’s films, based on huge conversation scenes, led both directors to discover a ‘deep mise en scène’, when in order to avoid splitting up the action, ‘the actors themselves, coming out of the depths into the foreground, alter the scale of the portrayal. They montage the film on the move, so to speak, moving along the longitudinal axis of the frame.’ [2008, Evgeny Dobrenko, “Shots from Underground: Dialectics of Conspiratorial Imagination”, in Sarah Young, transl., Stalinist Cinema and the Production of History: Museum of the Revolution, Edinburgh: Edinburgh University Press, →ISBN, page 243:]
  • There are plays by playwrights and then there are theatre texts. What do I mean by this? […] Texts are woven; they are nets that gather meanings. They are braided, knotted, threaded, sewn, patched together, edited, montaged. They evolve in the process of making performance. [2011, Anna Furse, “Introduction”, in Anna Furse, editor, Theatre in Pieces: Politics, Poetics and Interdisciplinary Collaboration: An Anthology of Play Texts 1966–2010, London; New York, N.Y.: Bloomsbury Methuen Drama, Bloomsbury Publishing, →ISBN, page v:]
  • Max, who developed creative approaches and methods to use mobile devices and smartphones for moving-image and video production during the last eight years, is interested in further exploring ephemeral media and transcending the moments captured in micro-movies on location into immersive viewing experiences. He montages the first impressions captured on location into abstract micro-movies, which can be screened on mobile devices, tablets, and/or smartphones in any environment. [2017, Max R. C. Schleser, Anthony Nevin, “Shifting Our Horizons: Exploring Mobility in Micro Production and Floating Exhibitions”, in Camille C. Baker, Kate Sicchio, editors, Intersecting Art and Technology in Practice: Techne/Technique/Technology (Routledge Advances in Art and Visual Studies), New York, N.Y.; Abingdon, Oxon.: Routledge, →ISBN, page 142:]